Maybe the most famous instance was “30 Minutes to New Orleans.” It first reared its head in a documentary called The Carter, with Wayne rapping it on a tour bus, but we wouldn’t get a full version for what felt like years. Would we get full versions of the songs? Mixed and mastered versions? For most of these, the answer was no. The leaks got him a buzz like no one had ever had. In 20, you could get on DatPiff, SOHH, or wherever, and there’d be new Wayne music. To his diehard fans, Lil Wayne’s ascent was defined by delays and leaks.
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